She studies with Frankie Martinez since 4 years and is part of his projects. Below she gladly shares some impressions :
‘What would happen if something without a technical structure for training or development was suddenly given wings?’ Frankie Martinez the innovator of Afro Latin Funk, asks and answers this question. For me it was clear when I got into the studio in New York early 2013 ‘when the student is ready the teacher will appear’… and I was ready… Embarrassed to have thought that I was a good dancer before, I suddenly realized that I do know ‘nothing’. The hunger for knowledge, the desire to learn, kept me in New York. I could have never imagined the potential of Afro Latin Dance.
The ability to be such a respected (and by some feared) character and to be a comedian at the same time is only one of the things that amaze me in his teaching. Everything he does has a very specific reason. When he lays down the patterns he creates rhythms. Music is always first. Musicality is much more important than physicality. But both have to be taken care of. There is always pulling, never pushing. Flow is of great importance.
But exactly those ingredients make it possible for Afro Latin Dance to compete now in the arts (as Latin Dance is not really well recognized in the arts, it is never given the same value as Ballet or Contemporary). Frankie Martinez applies a structural training method to Afro Latin Dance, that most importantly serves the personal development.